Showing posts with label Aaahh Real Monsters. Show all posts
Showing posts with label Aaahh Real Monsters. Show all posts

Saturday, May 1, 2021

#0113: Spoink & Groink

Nearly a decade ago, I opined on the glory that was Aaahh!!! Real Monsters. The misadventures of Ickis, Oblina and Krumm taught us lessons in peer pressure, the merits of hard work, and how if you have enough faith, you too can regurgitate your own intestines to frighten your enemies.

My opinion on the show remains starry-eyed and largely unchanged, to the point where I had to delete the original opener to this article as it closely paralleled exactly what I said in the preceding post. Dick move, 2012 Tony, you totally stole my bit.

Incidentally, I was talking about Ickis in that post, a pillar of the main squad, and it got me to thinking that ARM (horrible acronym) is a fairly top-heavy affair. Beyond them, you've got The Gromble, Simon the Monster Hunter, Zimbo and The Snorch... and that's about it, really. There's that duo of wonderfully camp monsters that Krumm hangs out with briefly, and the dude who enjoys himself some rice, and after that, I'm tapped out for recurring characters.

And that's fine, of course. As long as your foundation of core characters is strong, you don't need to bloat the roster with excess. That is, until you score yourself a toy deal and have to pluck some marketable characters out of thin air.

Because truth be told, as much as Blib, Snav and Don exist in the super distant periphery, they're not exactly going to shift many units. And that's how you end up with the Aaahh!!! Real Monsters Dare to Scare line, and the arbitrary introduction of Spoink & Groink.

According to the flavour text on the back of the box, and yes that flavour is spit: "these two really know how to project themselves! But it's Groink who always shoots off his mouth, especially when Sproink is in it! For maximum velocity and ferocity, shove Spoink down Groink's throat, punch Groink, and watch the terror fly!"

Wow, that sure is a lot of exclamation marks! It's also very revealing! At first I assumed that Groink was the dominant one in this relationship, but now I can see that he is actually the uke! I'll have to adjust my headcanon accordingly!

Anyone familiar with Gabor Csupo's distinct style may see some vague resemblance in Spoink's design, however Groink is entirely unlike anything you'd find in the series itself. Indeed, only four of the twelve monsters in this line were ever seen onscreen, in a manner not dissimilar to the bevy of auxiliary mutants Playmates would push out at TMNT's peak.

My curiosity was piqued by this contrast, and I was delighted to find that several of the final Dare to Scare products were actually repurposed models that a toy designer, Mel Birnkrant, had been trying to get onto the market for quite some time. He goes into great detail on his website, and it's really worth a read for a fascinating insight into the bumpy road of toy manufacturing.

But I digress. We're here for Tony's toys, Tony's opinions and Tony's reliance on the rule of three, so let's return to those, shall we?

Bastardised facsimiles of the original vision though they may have been, Spoink and Groink have some nice little details to them. The former's expression is perpetually locked into the kind of terror that can only be experienced after having some dude suck up your asshole repeatedly, while Groink actually has long, slender legs that match up with his spindly arms. It's a neat touch, considering how easy it would have been to just have him lack shins a la Cotton Hill.

My Groink has seen a little too much rough and tumble, or has been suffering a tragic bout of leprosy as one of his arms tends to fall off with little provocation. Considering that he were never intended to have movable joints in the first place, it's beyond me how I've managed to still loosen up this one arm so badly, like a poor chiropractor. It pops right back in there, but either way, I'm losing my license.

Also, I keep wanting to call him Gronk. I have no reason to believe the Bucs' tight end would suck up small creatures into his mouth before shooting them across the room, but you know what? He's a party dude, I wouldn't put it past him.

At last, let's put these spooky bastards through their paces by showcasing their vaunted creature feature. By my estimate, Spoink should shoot clean through the wall and straight into the brain of the nearest fascist.

"Eat the rich", he shrieks, his final moments on earth a deeply satisfying assault on the oppressive bourgeoisie.

Wednesday, January 4, 2012

#0034: Ickis


Nick-nick-nick-nick, nick-nick-nick-nick, NICKELODEON!

Ask 90s Tony what his favourite channel was, and he’ll emphatically blurt Nickelodeon! Inquire what kind of kid he was, and he’ll reply that he was a Nick kid! Then, for the love of god, please don’t tell him to get into the back of your van, because he’s already said too much. Why is he talking to a time-traveling stranger?

The children’s entertainment channel Nickelodeon has been around for a lot longer than many realise (launching as the Pinwheel network in 1977, the year of the Blue Jay!), but they didn’t really hit their stride until 1990, with the opening of Nickelodeon Studios, and the premiere of their original animated material in 1991.

I say all this as though I knew this factually, but I purloined this info from Wikipedia. The same Wikipedia that once proclaimed Canada to be the ‘national land of goat’. So you’ll have to excuse me if I ever cite slightly inaccurate knowledge.

The fact remains, however, that I was the key demographic targeted when Nick was in its renaissance in the 90s. I was the middle-class North American child, and I was all about slime, the big orange couch, and Stick Stickly. To kids of today, their favourite Nicktoons are most likely Spongebob Squarepants or Danny Phantom. But for me, it was probably Ed Bighead or the Gromble.

Am I really being elitist about watching a network for children’s programming in the 90s? Why yes, I am! Because it was marketed to be inclusive; you were part of their team… you wrote to them, and they’d respond! You told them about your birthday, and they’d display your name in a gigantic machine operated by a green creature. Dammit, we were as much Nick as Nick was Nick!

In 1994, we were introduced to a school of monsters, whose coursework consisted primarily of scaring the bejeezus out of people. I think such classes still exist in Namibia, but they’re scarce and unfocused. My favourite monster out of the main trio was this guy right here, Ickis. My reason for favouritism was simple, and consisted entirely of RED.


Nabbing some Aaahh!!! Real Monsters toys was cause for celebration, because as near as I recall, these suckers were pretty elusive. Either they just sold by the buttload, or Mattel had little faith in the franchise, and thereby under-produced the demand. I’m not particularly fazed by the actual answer, though a collection of four packaged toys is currently fetching $87.96 USD (12% off!), under the venerable old guise of ‘HTF’.

Ickis, arguably the main character, is a neurotic, almost Woody Allen-esque monster whose lacking confidence stems from, among other things, the fact that he resembles a bunny rabbit. As such, he’s often finding ways to cheat his way to success, or ends up being a pussy and leaving Oblina and Krumm to do all the hard work. In retrospect, I’m hoping that I didn’t associate with the character, because that’s a pretty shitty role model for an impressionable six year old to emulate.

Despite his shortcomings, however, Ickis has the power to grow to multiple times his original size, for maximum scare factor. This quality is represented in true form within this toy… STAND BACK, HE’S GOING TO TRY SCIENCE.


Well, yeah. I mean, all things considered, it’s pretty good. You lift his arms (or push on the back of head. I like to do this because it resembles a trash bin lid) and he unveils his sinister red eyes and a row of fearsome teeth. The only growing he does is purely symbolic. It’s an emotional growth, to be sure.

Beyond that, his arms are fairly static, due to being the (possible) instigator of said transformation, and his legs can be turned about and about to your heart’s content. I’m sure you can write that into your playtime experiences somehow.

And that’s about it, really. I open 2012 with a fairly uninspiring toy coupled with a fairly uninspiring entry. But that’s okay, because I’m quite certain that ending 2011 with the unboxing of Krillin wasn’t exactly a riveting thrill ride, either. Truly, the world will end not with a bang, but with a whimper.

As such, 2012 too opens in this fashion. No bang. Simply a large man from Honolulu.

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